Шрифт:
Закладка:
301
Karen Offen, European Feminisms, 1700–1950: A Political History (Stanford University Press, 1999), 241.
302
Elinor Accampo, Private Life, Public Image: Motherhood and Militancy in the Self-Construction of Nelly Roussel, 1900–1922 (University of California Press, 2000), 240–241.
303
Miss Ruby Tuesday, East Village Other (18 August 1970), 7.
304
Anne M. Valk, Radical Sisters: Second-Wave Feminism and Black Liberation in Washington, D. C. (University of Illinois Press, 2008).
305
Chicago Women’s Liberation Union News (1 September 1970), 2.
306
Seung-kyung Kim and Na-Young Lee, «Shared History and the Responsibility for Justice: The Korean Council for the Women Drafted for Military Sexual Slavery by Japan», в Barbara Molony and Jennifer Nelson (eds.), Women’s Activism and «Second Wave» Feminism (Bloomsbury Academic, 2017).
307
Okpyo Moon, «Japanese Tourists in Korea», in Sylvie Guichard-Anguis and Okpyo Moon (eds.), Japanese Tourism and Travel Culture (Routledge, 2011).
308
Jeska Rees, «A Look Back at Anger: The Women’s Liberation Movement in 1978», Women’s History Review 19:3 (2010), 337–356.
309
Maria Mayerchyk and Olga Plakhotnik, «The Radical FEMEN and the New Women’s Activism», Krytyka Magazine 11:12 (2015), 157–158.
310
Gayatri Chakravorty Spivak, «Can the Subaltern Speak?», in Donna Landry and Gerald M. MacLean (eds.), The Spivak Reader (Routledge, 1996).
311
Teresa Zackodnik, Press, Platform, Pulpit: Black Feminist Publics in the Era of Reform (University of Tennessee Press, 2011).
312
Перечень феминистских песен, в том числе упоминаемых в этой главе, можно найти по адресу: https://open.spotify.com/playlist/5uCxpVJfbGpDmIVVdkYhOf. Предлагаю читателям, желающим дополнить перечень, обратиться ко мне в «Твиттере» (пользователь @suff 66).
313
Ellen Key, Love and Marriage, trans. Arthur G. Chater (G. P. Putnam, 1911), 246.
314
Negar Mottahedeh, Whisper Tapes: Kate Millett in Iran (Stanford Briefs, 2019).
315
Elinor Accampo, Private Life, Public Image: Motherhood and Militancy in the Self-Construction of Nelly Roussel, 1900–1922 (University of California Press, 2000), 218.
316
Anna J. Cooper, A Voice from the South (Oxford University Press, 1988).
317
Ethel Smyth, The Memoirs of Ethel Smyth (Viking, 1987), 297.
318
Julie C. Dunbar, Women, Music, Culture: An Introduction (Routledge, 2011), 134.
319
Smyth, Memoirs, 342.
320
Amanda Smith, An Autobiography: The Story of the Lord’s Dealings with Mrs. Amanda Smith, the Colored Evangelist (Garland, 1987), 260, 265.
321
Ibid., 414–415, 324. Также см.: Patricia Ann Schechter, Exploring the Decolonial Imaginary: Four Transnational Lives (Palgrave Macmillan, 2012), 11.
322
Jacqueline Warwick, «„He Hit Me, and I Was Glad“: Violence, Masochism, and Anger in Girl Group Music», in Laurie Stras (eds.), She’s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music (Routledge, 2010).
323
Jill Nickel and Sheri Maeda, «Put Another Nickel In», Quest (Fall 1976).
324
Eileen M. Hayes, Songs in Black and Lavender: Race, Sexual Politics, and Women’s Music (University of Illinois Press, 2010), 70.
325
Donna Pieters, BWM16 — Heart of the Race Oral History Project, Black Cultural Archives, Brixton. Благодарю за этот транскрипт Д.-М. Уитерс.
326
Womansound 2 (1984), cited in Women’s liberation music archives (https://womensliberationmusicarchive.co.uk/s/). О музыке движения за освобождение женщин см.: D-M Withers, Feminism, Digital Culture and the Politics of Transmission: Theory, Practice and Cultural Heritage (Rowman & Littlefield International, 2015), 95–112.
327
Jane Armstrong, «Radio», in Alison Bartlett and Margaret Henderson (eds.), Things That Liberate: An Australian Feminist Wunderkammer (Cambridge Scholars, 2013), 153.
328
Robin Morgan, Going Too Far: The Personal Chronicle of a Feminist (Vintage Books, 1978).
329
Janice G. Raymond, The Transsexual Empire (Women’s Press, 1980), 104; Will Self and Stephen Whittle, Perfidious Man (London: Viking, 2000); D-M Withers, «Laboratories of Gender: Women’s Liberation and the Transfeminist Present», Radical Philosophy 2:4 (2019).
330
Sandy Stone, «The Empire Strikes Back: a Posttranssexual Manifesto», in Julia Epstein and Kristina Straub (eds.), Bodyguards: The Cultural Politics of Gender Ambiguity (Routledge, 1991).
331
Chris Mulvey, в Barbara Harford and Sarah Hopkins (eds.), Greenham Common: Women at the Wire (Women’s Press, 1984), 92.
332
Anna Reading, «Singing for My Life», в Anna Reading and Tamar Katriel (eds.), Cultural Memories of Nonviolent Struggles: Powerful Times (Palgrave Macmillan, 2015).
333
Katrina, in Harford and Hopkins, Greenham Common, 167.
334
Jayne, in ibid., 15.
335
Margaret L. Laware, «Circling the Missiles and Staining Them Red: Feminist Rhetorical Invention and Strategies of Resistance at the Women’s Peace Camp at Greenham Common», NWSA Journal 16:3 (2004), 33. Также см.: Margaretta Jolly, Sisterhood and After: An Oral History of the UK Women’s Liberation Movement, 1968 — Present (Oxford University Press, 2019).
336
Sarah Green, in Harford and Hopkins, Greenham Common, 54.
337
Двадцатидвухлетняя Хелен Томас погибла в 1989 году во время осады Гринхэма: ее сбил полицейский прицеп для перевозки лошадей. Ее участие в протестах увековечено в песне «Cân i Helen» на валлийском языке.
338
Natalya Lusty,