Шрифт:
Закладка:
Jameson F. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham, N. C.: Duke University Press, 1991.
Jameson F. The Cultural Turn: Selected Writings on the Postmodern, 1983–1985. London: Verso, 1998.
Kafka F. Franz Kafka: The Complete Stories. New York: Schocken, 1995.
Kalfus K. Chicken Kiev: Surreal Stories from Russia Include One about Philosophical Poultry // New York Times. December 7, 1997. http://www.nytimes.com/books/97/12/07/reviews/971207.07kalfust.html (дата обращения: 30.05.2022).
Kalinin I. Petropoetics // Russian Literature since 1991 / Ed. E. Dobrenko, M. Lipovetsky. Cambridge: Cambridge University Press, 2015. P. 120–144.
Kant I. Critique of Practical Reason. Indianapolis: Hackett, 2002.
Kant I. Critique of Pure Reason (The Cambridge Edition of the Works of Immanuel Kant). Cambridge: Cambridge University Press, 1999.
Kant I. Perpetual Peace and Other Essays / Trans. T. Humphrey. Indianapolis: Hackett, 1983.
Kant I. The End of All Things // Perpetual Peace and Other Essays / Trans. T. Humphrey. Indianapolis: Hackett, 1983. P. 93–106.
Kaspe I. The Meaning of (Private) Life, or Why Do We Read the Strugatskys? // Russian Studies in Literature. 2011. 47. № 4. P. 31–66.
Kermode F. The Sense of an Ending: Studies in the Theory of Fiction. Oxford: Oxford University Press, 2000.
Khagi S. Alternative Historical Imagination in Viktor Pelevin // Slavic and East European Journal. 2018. 62. № 3. P. 483–502.
Khagi S. From Homo Sovieticus to Homo Zapiens: Viktor Pelevin’s Consumer Dystopia // The Russian Review. 2008. 67. № 4. P. 559–579.
Khagi S. Garros-Evdokimov and Commodification of the Baltics // Journal of Baltic Studies. 2010. 41. № 1. P. 119–137.
Khagi S. Humans, Animals, Machines: Scenarios of Raschelovechivanie in Gray Goo and Matisse // The Human Reimagined: Posthumanism in Late Soviet and Post-Soviet Russia / Ed. J. Vaingurt, C. McQuillen. Boston: Academic Studies, 2018. P. 69–97.
Khagi S. Incarceration, Alibi, Escape? Victor Pelevin’s Art of Irony // Russian Literature. 2014. 76. № 4. P. 381–406.
Khagi S. One Billion Years after the End of the World: Historical Deadlock, Contemporary Dystopia, and the Continuing Legacy of the Strugatskii Brothers // Slavic Review. 2013. 72. № 2. P. 267–286.
Khagi S. Parameters of Space-Time and Degrees of (Un)freedom: Dmitry Bykov’s ZhD // Geo-Political Identity Making in Post-Soviet Russian Speculative Fiction / Ed. M. Suslov, Per-Arne Bodin. London: I. B. Tauris, 2019. P. 281–300.
Khagi S. The Monstrous Aggregate of the Social: Toward Biopolitics in Victor Pelevin’s Work // Slavic and East European Journal. 2011. 55. № 3. P. 439–459.
Kierkegaard S. The Concept of Irony, with Continual Reference to Socrates: Notes of Schelling’s Berlin Lectures. Princeton, N. J.: Princeton University Press, 1989.
Kleinhenz C., LeMoine F. J. (eds.). Fearful Hope: Approaching the New Millennium. Madison: University of Wisconsin Press, 1999.
Knickerbocker D. Apocalypse, Utopia, and Dystopia: Old Paradigms Meet a New Millennium // Extrapolation. 2010. 51. № 3. P. 345–357.
Knox D. Ironia: Medieval and Renaissance Ideas on Irony. Leiden: Brill Academic, 1989.
Kristeva J. Contre la dépression nationale. Paris: Textuel, 1998.
Kristeva J. Europhilia, Europhobia // French Theory in America / Ed. S. Lotringer, S. Cohen. New York: Routledge, 2001. P. 321–332.
Kristeva J. Sens et non-sens de la révolte. Paris: Fayard, 1996.
Kumar K. Utopia and Anti-Utopia in Modern Times. Oxford: Blackwell, 1987.
Kuritsyn V. Postmodernism: The New Primitive Culture // Russian Studies in Literature. 1993. 30. № 1. P. 52–66.
Laird S. (ed.). Voices of Russian Literature: Interviews with Ten Contemporary Writers. Oxford: Oxford University Press, 1999.
Lalo A. New Trends in Russian Intellectual Anti-Americanism: The Strange Case of Viktor Pelevin’s Novel S. N. U. F. F. // Slavonica. 2014. 20. № 1. P. 34–44.
Langen T. Evgeny Zamyatin’s ‘The Cave’ // Philosophy and Literature. 2005. 29. № 1. P. 209–217.
Lanz K. The Dostoevsky Encyclopedia. Westport, Conn.: Greenwood, 2004.
Le Guin U. K. The Disposessed: An Ambiguous Utopia. New York: Harper Collins, 1974.
Leatherbarrow W. J. Apocalyptic Imagery in Dostoevskij’s The Idiot and The Devils // Shapes of Apocalypse. Arts and Philosophy in Slavic Thought, edited by Andrea Oppo. Boston: Academic Studies, 2013. P. 122–133.
Lem S. Mortal Engines / Trans. M. Kandel. Boston: Mariner, 1992.
Lilly I., Mondry H. (eds.). Russian Literature in Transition. Nottingham: Astra, 1999.
Lipovetsky M. Charms of the Cynical Reason: The Trickster’s Transformations in Soviet and Post-Soviet Culture. Boston: Academic Studies, 2010.
Lipovetsky M., Etkind A. The Salamander’s Return: The Soviet Catastrophe and the Post-Soviet Novel // Russian Studies in Literature. 2010. 46. № 4. P. 6–48.
Livers K. Bugs in the Body Politic: The Search for Self in Victor Pelevin’s The Life of Insects // Slavic and East European Journal. 2002. 46. № 1. P. 1–28.
Livers K. Conspiracy Culture: Post-Soviet Paranoia and the Russian Imagination. Toronto: University of Toronto Press, 2020.
Livers K. Is There Humanity in Posthumanity? Viktor Pelevin’s S. N. U. F. F. // Slavic and East European Journal. 2018. 62. № 3. P. 503–522.
Livers K. The Tower or the Labyrinth: Conspiracy, Occult, and Empire-Nostalgia in the Work of Viktor Pelevin and Aleksandr Prokhanov // The Russian Review. 2010. 69. № 3. P. 477–503.
Lotringer S., Cohen S. (eds.). French Theory in America. New York: Routledge: 2001.
Lunde I., Roesen T. (eds.). Landslide of the Norm: Language Culture in Post-Soviet Russia. Bergen: University of Bergen Press, 2006.
Lyotard J.-F. The Inhuman: Reflections on Time. Stanford, Calif.: Stanford University Press, 1991.
Lyotard J.-F. The Postmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press, 1984.
Marcuse H. A Critique of Pure Tolerance / Ed. R. P. Wolff, B. Moore, Jr., H. Marcuse. Boston: Beacon, 1969.
Marcuse H. One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society. Boston: Beacon, 1968.
Marcuse H. Repressive Tolerance // A Critique of Pure Tolerance / Ed. R. P. Wolff, B. Moore, Jr., H. Marcuse. Boston: Beacon, 1969. P. 95–137.
Marsh R. Literature, History, and Identity in Post-Soviet Russia, 1991–2006. Oxford: Peter Lang, 2006.
McCall A. Dream Angus. London: Canongate, 2006.
McCausland G. Viktor Olegovich Pelevin // Dictionary of Literary Biography: Russian Writers since 1980 / Ed. M. Balina, M. Lipovetsky. Detroit, Mich.: Gale Research, 2003. P. 208–219.
McHale B. Constructing Postmodernism. New York: Routledge, 1992.
Menzel B. Russian Science and Fantasy Literature // Reading for Entertainment in Contemporary Russia: Post-Soviet Popular Literature in Historical Perspective / Ed. B. Menzel, S. Lovell. Munich: Sagner, 2005. P. 117–150.
Menzel B., Lovell S. (eds.). Reading for Entertainment in Contemporary Russia: Post-Soviet Popular Literature in Historical Perspective. Munich: Sagner, 2005.
Miller R. F. Dostoevsky and «The Idiot»: Author, Narrator, and Reader. Cambridge, Mass.: Harvard University Press, 1981.
Milne L. (ed.). Reflective Laughter: Aspects of Humor in Russian Culture. London: Anthem, 2004.
Milne L. Jokers, Rogues, and Innocents: Types of Comic Hero and Author from Bulgakov to Pelevin // Reflective Laughter: Aspects of Humor in Russian Culture / Ed. L. Milne. London: Anthem, 2004. P. 85–96.
Milton J. Paradise Lost. New York: Harper Collins, 2014.
More T. Utopia / Ed. G. M. Logan, trans. R. M. Adams. New York: W. W. Norton, 2010.
Morson G. S. Narrative and Freedom: The Shadows of Time. New Haven, Conn.: Yale University Press, 1996.
Morson G. S., Emerson C. Mikhail Bakhtin: Creation of a Prosaics. Stanford, Calif.: Stanford University Press, 1990.
Mozur
